It happens to the best of us.
We get tired.
And that’s how it appears the road-weary RX Bandits are after a decade of constant touring.
The Seal Beach, California group is known for its transformation (see: evolution) from a late ’90s ska band to a four-headed beast of a band playing spacey, prog-rock with reggae and Latin influences.
At the height of the group’s career, RX Bandits played a trio of shows in New York and San Francisco, devoting each night to a full album performance of the band’s last three: The Resignation, …And The Battle Begun and Mandala.
Then, a few months ago, the band said they’d be calling it quits.
After 16 years and 7 studio albums, Rx Bandits announced on its website the following:
We would like to express our love and appreciation for all that you’ve done for us and how much a part of our growth you have been. We have all mutually decided that this summer will be our last tour. We love each other and love you all and hope to see you at the shows.
Much love & respect,
When I heard the news, I was shocked and saddened. I’ve been following these guys since I saw them open for Reel Big Fish at the Fillmore in San Francisco around 2004.
The political messages about peace, not war, call and response sing-a-longs, extended jam outs, frenetic guitar noodling and improvisational drum solos are just a few of the
———- that make the bands’ live show a true performance.
I made it out to two shows on the band’s farewell tour — The Catalyst in Santa Cruz on July 30, where Berkley’s Facing New York opened and the FINAL PERFORMANCE at the Regency Ballroom in San Francisco August 7.
The Regency Ballroom was a the perfect opportunity for the band to bring out the big guns — a two-piece horn section to beef up older tracks. Both shows were packed, but the energy and emotion in San Francisco was over the top. Each cord resonated just a little extra for both the band and the crowd.
There were no goodbyes, just “I’ll miss you”s and the four members hugged, held hands and bowed at the end of a high-energy, two-hour set.
With a group of such talented musicians — Matt Embree’s powerful croons and free-flowing guitar licks, Steve Choi’s flying fingers on guitar and keys (and sometimes drums), Chris Tasgakis’ tight rhythms, and Joe Troy’s bass grooves — its apparent that the great music these guys play together will not cease.
The four core members have been playing together so long (more than a decade), they’re basically brothers. Choi insists in interviews that this is not the end of RXB, just the end of touring.
Not to mention, members of the group are distinctly connected to rising independent record label Sargent House, which they helped form in 2006.
Embree already plays solo as Love You Moon, and has started a new project called ME & LP, which is sounding oh so sweet.
Check out ME & LP – Bonnie Says (No Shitty Ride) below:
Embree and Tsagakis also have a Sound of Animals Fighting-esque project called Biceratops, and Tasagakis plays in a group called Technology.
Other projects from band members include Apotheke and Coke vs. Bill. The group’s involvement with Sargent House will keep them fresh as they continue to collaborate with bands like current touring partners Zechs Marquise.
Here’s to the end of an era…can’t wait to see what comes next.
- (Editor’s note: It worked out pretty well for Gatsby’s American Dream, a popular Seattle indie band that broke up in 2006 and went on to form Kay Kay and His Weathered Underground, Wild Orchid Children, Search/Rescue, RedRedBlue, Keith Ledger, Zero Cool, Razia’s Shadow, Princess Dinosaur, Places and Numbers and TickTockMan)
VIDEOS FROM TWO OF RX BANDITS’ FINAL SHOWS:
RXB “Only For The Night” @ The Catalyst in Santa Cruz 7/30/11
RXB “Hidden Track” @ The Catalyst in Santa Cruz 7/30/11
RXB “Drum Solo” @ The Catalyst in Santa Cruz 7/30/11
Openers Facing New York play “Me and My Friendz” @ The Catalyst in Santa Cruz 7/30/11