Girl Talk: Sounds for the ADD generation

GIRL TALK aka Gregg Gillis brought his larger-than-life dance party persona to the Pomona Fox Theater Saturday night.

And I was there for the all-night rager.

Mixing the likes of hip-hop legends like Notorious B.I.G. to teen pop melodies from Miley Cyrus and Britney Spears, Gregg Gillis and his plastic-wrapped Panasonic Toughbook can really move a crowd.

The Pittsburg native, whose hometown mayor named an official day after him, is every bit rockstar and just as much geek.

He spends hours carefully crafting his now infamous mashups, only to come on stage in a sweatshirt and headband with a laptop  as his only instrument.

And while that keeps costs low on that front, Gillis reportedly goes through three computers a year. I’ve had one computer for more than three years.

By the end of the night, Gillis has stripped down from sweatsuit to nothing but pants, with a head of long brown hair drenched in sweat due to excessive rocking out behind his computer screen (thus the plastic wrap). Well, that and the 20 fans he brings on stage to dance with him for the full hour-and-a-half long set.

But the glorified “DJ” knows how to put on a show. And if you’re one man and a laptop playing to a sold-out crowd of at least a couple thousand, you damn well should.

There were toilet paper shooters, giant balloons and blow ups, a stellar neon LED light show, plus lots and lots of confetti.

The music rarely stopped, beats thumping behind blends of the Beastie Boys to Outkast, Journey and Rhianna; changing fast enough to give your parents a seizure.

Surprisingly, for an “artist” who makes his living mixing other people’s music to make his own, he has yet to be sued.

And Gillis has used more than 300 different samples on his last two albums, “All Day” and “Feed The Animals”.

This from a former biomedical engineer who quit his day job to sell-out dance parties across the country.

Girl Talk was featured in a New York Times Magazine cover story a few months back and has been featured as one of the Times’ Nifty 50. Read more about him here and check out an interview here.

You can download Girl Talk’s latest album free HERE and see a list of all the samples used HERE.

Videos below from the performance. Enjoy!

THIS WEEK IN MUSIC

rx bandits mandala

rx bandits' "mandala" is the best of the latest

I’m waiting for Rhino Records to call me with my copy of Portugal. The Man’s “The Satanic Satinist,” the new one everyone is talking about. I couldn’t find it at Target, Best Buy or Rhino last week! I’m a little in the dark, waiting for my own copy to give it a listen. Sure it’s good, though – “Church Mouth” is one of my favorite albums. And “Censored Colors” was good, but overlooked.

I just downloaded Grizzly Bear‘s new one, Veckatimest. I have to say, I’m not a fan. I’ve gotten about halfway through the album and I’m not sure what the fuss over this band is. They’ve got some good qualities, but overall I get very bored listening.

This SoCal beach-based band has been around for 14 years, and evolved from a second wave ska act to something with far too many labels to full encompass them (progressive, reggae, ska, rock, funk to name a few). I interviewed the guys when they came to Cal Poly last fall, and just caught them on their headlining tour with Dredg at the House of Blues in Anaheim. Killer, to say the least. Their sound gets more off the wall with each record, and for me, that tends to be a good thing. “Mandala” is no different. Gets better with each listen. UPDATE: check box widget on the sidebar to download a track from “Mandala”!

Now, something a bit disappointing was The Mars Volta’s new one, “Octahedron.” I expect a lot from this band, who is now on its fifth album and has a very strong cult-like following of prog rockers, scenesters and hipsters. “Octahedron” is so-so. It’s got a few cool tracks, like “Cotopaxi,” but is nothing new. It’s easy to forget. I still have got to claim “Frances The Mute” as my favorite. Closely followed by “De Loused” and a few tracks from “Amputechture,” like the 11-minute “Meccamputechture” Now that’s the Volta I know. “Octahedron” is sort of just there. Doesn’t do anything significant for me. Just a bit too mellow for this outlandish band, who I still can’t wait to see at Outside Lands in San Francisco in about a month.

Lastly, I just saw mega mashup DJ Girl Talk @ The Fox Theater in Pomona Friday night. Great, great venue. Three bars, space for 2,000, multiple rooftop lounges. Rad. I was unsure of going to see a DJ headline a show at a venue much larger than your typical LA club. While the free show only brought out maybe 1,000, Girl Talk got 40+ people dancing on stage with him his whole show, and got me and the rest of the crowd dancing. Mixing tracks from “Feed The Animals” (download it there…you pay what you want) and “Night Ripper” with an eclectic variety of other mainstream and classic hits and beats, Gregg Gillis aka Girl Talk impressed. Not to mention, the guy plastic wraps his laptop so his sweat doesn’t get all over it.

Hit me up if you need some tracks. I’ve got the tuneage.